

It’s the perfect Psycho set-up – instead, it’s a very alive Mrs. At the desk, she finds a figure dressed in her mother’s robe and wig. Towards the end, a fleeing Linda takes shelter from an unseen attacker in her mother’s old bedroom. When the camera is still, it makes you wonder when the hammer is about to drop. Our POV is constantly shifting, even when Linda is doing something as simple as reading one of her mother’s diaries in bed. Next of Kin uses a lot of camera movement. Is there a specific scene or visual element that comes to mind when you think of Next of Kin ?

This is a frankly beautiful and atmospheric film. Her world spins and the center is not holding. It all gets very Rebecca as people she believed she could trust are actually working against her. Events, people and backstory that Linda assumed she understood turn out to be lies and lifelong deceptions there’s even a plot to steal her inheritance out from underneath her. Linda is compassionate and present for them and that sort of work really takes an emotional toll.Īnd then Linda discovers her mother’s diaries. She feels drained by the empathy she feels for the elderly wards of her mother’s business. She knows this house too well, she knows this town too intimately. We get a lot of water imagery to underline that too. Linda feels like she might drown under the responsibility of it all. Linda loves the residents of the Montclare Retirement Home that’s been passed down to her in the will by her mother, but it’s not the life she wants. Linda, played in the most grounded way possible by Jacki Kerin, is brought back to her childhood home by the death of her mother.
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The movie is able to sweep you up and transport you into this small town that has an almost Stars Hallow feel, filled with kindly (probably overly involved) townsfolk who all seem to have some stake in one another’s lives. How would you describe what happens to folks? All combined, the film offers more than a few surprises. Even now that it had a stateside release by Severin and its been up on Amazon Prime and Shudder for streaming, it still feels like Kin isn’t getting its due. If this premiered at SXSW or Fantastic Fest as a midnighter, reviewers would be breaking the internet with praise.
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He went into the TV miniseries game, never dabbling in horror again. The director, Tony Williams, kinda gave up on movies for a while after this. The big reason I wanted to discuss it was to spread the word. It wasn’t until I got an all-region blu of the film from Umbrella a couple of years ago that I was actually able to see the movie front-to-back and it was love at first sight. All you can really gather from that intro is that the movie has some seriously trippy imagery and a poorly timed fireball in the finale. There’s a couple of minutes dedicated to it in the doc that boils down to Quentin Tarantino putting the film on the same level as The Shining (!!) and a brief discussion of the explosion at the end. Thirst, The Survivor, Turkey Shoot … but the one I wanted to see with my own eyeballs more than anything else was Next of Kin. After watching the documentary, I immediately started a Note on my laptop of all the movies that I wanted to see for myself. I first heard about Next Of Kin from a small segment in the middle of the Ozploitation documentary, Not Quite Hollywood in 2008. Outside of a few stragglers in my video store days, I wasn’t particularly fluent in the 70s and 80s boom in Australian genre films outside of crossovers like Mad Max and the grimy, telekinetic melodrama, Patrick (I mean, why would I not rent a movie with my name in it? Also, I love watching elderly men eat frogs against their will. It’s all taking up serious space in my head, frankly. You may be giving my weird fascination with arcane 80s pop culture references too much credit. When did you first see it and why did you want to discuss it? Patrick, you’re well known for your deep-cut knowledge of film and pop culture, particularly 80s horror, so I probably shouldn’t have been surprised when you picked Next of Kin. Plot: In a rest home for elderly people, Linda ( Jacki Kerin) reads her mother’s diaries and soon events that are mentioned in the diary begin to happen to her. Next up: we’re traveling Down Under for the bizarre and gorgeous Next of Kin (1982) with Kill By Kill podcast’s Patrick Hamilton. We then have a back and forth discussion about their history with the film. In Horror Bucket List, I fill in gaps in my horror film knowledge based on recommendations from friends on Twitter.
